K-on!

K-On! (けいおん!, Keion!?) is a Japanese four-panel comic strip manga written and illustrated by Kakifly. The manga started serialization in Houbunsha's seinen manga magazine Manga Time Kirara since the May 2007 issue, and also started a bimonthly serialization in Houbunsha's magazine Manga Time Kirara Carat since the October 2008 issue. A thirteen-episode anime adaptation produced by Kyoto Animation aired in Japan between April and June 2009. An additional original video animation episode was released in January 2010. A second season, titled K-On!! (with two exclamation marks), began airing in Japan from April 7, 2010 . The title of the series comes from the Japanese word for light music, keiongaku (軽音楽?), but in the Japanese context is similar to pop music.

Plot

K-On!'s story revolves around four Japanese high school girls who join their school's light music club to try to save it from being abolished. However, they are the only members of the club, and at first Yui Hirasawa, the main character, has no experience playing musical instruments or reading sheet music. Eventually, she learns how to be an excellent guitar player. The rest of the club helps her to buy a guitar, and they perform successfully at the school festival.

Music

The first season anime's opening theme is "Cagayake! Girls" by Aki Toyosaki with Yōko Hikasa, Satomi Satō and Minako Kotobuki. The ending theme is "Don't Say 'Lazy'" by Hikasa with Toyosaki, Satō and Kotobuki. The opening and ending theme singles were released on April 22, 2009 by Pony Canyon. A single containing the insert song "Fuwa Fuwa Time" (ふわふわ時間, Light and Fluffy Time?) used in episode six was released on May 20, 2009. A series of five character song singles have been released containing songs sung by the voice actresses of the five main characters. The singles for Yui (by Toyosaki) and Mio (by Hikasa) were released on June 17, 2009, and the singles for Ritsu (by Satō) and Tsumugi (by Kotobuki) were delayed and released together with the single for Azusa (by Ayana Taketatsu) on August 26, 2009. The singles for Ui Hirasawa (by Madoka Yonezawa) and Nodoka Manabe (by Chika Fujitō) were released on October 21, 2009. The anime's original soundtrack, largely composed by Hajime Hyakkoku, was released on June 3, 2009. The four songs highlighted in episode eight of the anime were released on the mini album Hōkago Tea Time (放課後ティータイム, After School Tea Time?) on July 22, 2009. The single by Sawako's band Death Devil was released on August 12, 2009.

The second season anime's opening theme is "Go! Go! Maniac" and the ending theme is "Listen!!"; both songs are sung by Toyosaki, Hikasa, Satō, Kotobuki, and Taketatsu. The singles containing the songs were released on April 28, 2010 by Pony Canyon.

Source: Wikipedia

Trigun (15-31 March 2010)

Plot:
Known for its Space Western theme, Trigun is about a man named "Vash The Stampede" and the two Bernardelli Insurance Society employees who follow him around in order to minimize the damages inevitably caused by his appearance. Most of the damage attributed to Vash is actually caused by bounty hunters in pursuit of the "60,000,000,000$$" (sixty billion "double dollars") bounty on Vash's head for the destruction of the city of July. However, he cannot remember the incident clearly due to his amnesia. Throughout his travels, Vash tries to save lives using non-lethal force. He is occasionally joined by a priest, Nicolas D. Wolfwood, who, like Vash, is a superb gunfighter with a mysterious past.

As the series progresses, more is gradually learned about Vash's mysterious history and the history of human civilization on the planet Gunsmoke. The series often employs comic relief and is mostly light-hearted in tone, although the tone shifts toward darker and more dramatic situations as it draws to a conclusion. It also involves moral conflict pertaining to the morality of killing other living things, even when arguably justified (i.e. self-defense/defending others).

Characters:
Vash is a very lighthearted, expert marksman that tries to promote love and peace as he personally said in several episodes. He appears to be a very merry person that dislikes seriousness, but is actually very deep and serious as can be seen in the situations he finds himself in. He usually presents a smiling facade, which Wolfwood is prone to call a "false smile." Beneath this smile lies a lot of pain and the burdens that Vash has chosen to carry. Also known as Vash the Stampede and The Humanoid Typhoon, he is a wandering gunman with a 60 billion double dollar bounty on his head. Every town he passes through either labels him "an act of God" or "a human disaster".

Meryl Stryfe and Milly Thompson are two Bernardelli Insurance agents sent to evaluate claims regarding the Humanoid Typhoon. Initially, they dismiss the idea that the real Vash is the legendary Humanoid Typhoon (partially due to the lack of an introduction), but the two eventually learn (much to the contradiction to what Meryl wants to think) that this is the person they are assigned to track.

Nicholas D. Wolfwood A superb gunman, almost equal to Vash himself, and arguably the most skilled human being with a pistol in the series, Wolfwood is a priest who wields an enormous cross "to carry his sins". Nicolas and Vash get into many conflicts over the morality of murder. According to Wolfwood's mentor "... we are sometimes driven to become the devil himself". Wolfwood is a tragic figure in that his redemption comes at a terrible cost.

Knives The main antagonist, and Vash's brother. Most of the situations Vash ends up in are, in one way or another, connected to Knives. Knives is referred to rarely as Millions Knives.

Rem Saverem, Vash's mentor and childhood friend, who taught him the value of life. It is mostly because of Rem that Vash is the hero he is. Vash constantly finds himself asking what Rem would do in his situation. When this happens, Vash enters a peaceful "dream world" when he asks Rem for help.

Gung-Ho Guns, A group of superhuman assassins with extraordinary abilities and equipment. Their leader is Legato Bluesummers, a fanatical henchman of Knives with telepathic powers, who sends them out to attack Vash and cause him as much suffering as possible. The group's lineup differs slightly between the anime and manga versions of Trigun, with some characters appearing in one but not the other.

~We higly reccommend you check this anime out because its a classic! ^.-~

Plot Summary taken from Wikipedia: http://en.wikipedia.org/wiki/Trigun#Plot

Bleach (1-15 March 2010)

Synopsis:

Ichigo Kurosaki is a 15-year-old boy with the ability to see spirits, something that he considers more of a bother than a gift. One day he meets a Shinigami (Death God) named Rukia, who's on the run from a Hollow—a destructive spirit with unfinished business on Earth. As a last-minute measure, Rukia transfers her powers to Ichigo, whose abundant supply of spirit energy makes him a far more potent Shinigami than she ever was! Soon Ichigo is vanquishing Hollows left and right, and meeting other friends at school with similar abilities. However, Rukia's transfer of power is forbidden by the Soul Society (the official name of the spirit world), and when their agents come to Earth to dish out the consequences, Ichigo finds that he might have to challenge the entire world of the dead to save her.

Review:

If Naruto is Dragon Ball Z with ninjas, does that mean Bleach is Naruto with dead people? The colorful characters, numerous fights and high episode count make such comparisons tempting, and fans of one are often fans of the other. With the acclaimed Studio Pierrot handling animation duties, a storyline that dishes out cliffhanger after cliffhanger, and a rapidly growing fanbase, Bleach is clearly the Next Big Anime License. It doesn't aspire to be high art, but it doesn't need to—this is high entertainment, swords out and spirit energy blazing, ready to bring a modern sensibility to the classic shounen themes of friendship, challenge, and victory.

The story starts out like most others of its kind: take a boy in his mid-teens, bestow unique abilities upon him (a cool sword helps, too), and send him out to fight some nasty monsters. For the first several episodes Bleach goes through this methodical hack-and-slash, with sprinklings of comedy for good measure. Things start to pick up when Ichigo meets fellow classmates with Hollow-killing capabilities, adding some firepower and variety to their battles. Generic and boring so far? Good. That's when the real challenge kicks in, and boy does it kick: Soul Society infiltrates the human world, stirs things up, and suddenly Ichigo's on a mission to save Rukia. If you want to know where the series gets really good, it's right here. Ichigo isn't fighting souped-up spirits a few blocks away from his house anymore; now he's in the underworld with only a few friends as allies, facing trained warriors who could damn well kill him. With all of Soul Society as a battleground and no limitations on fighting style or attacks, it takes the familiar tournament formula to the height of creativity. This isn't just training and fighting anymore. This is adventure.

But wait, isn't there plenty of fight-centric adventure anime already? Yes, but Bleach sets itself apart with a cast of characters that couldn't exist anywhere else. Imagine the usual stereotypes, but skew them with odd traits, and give their personalities an extra edge of attitude: that's what makes these characters special. Ichigo isn't just an excitable, sword-swinging hero—he's a hero with a smart mouth and a chip on his shoulder. Rukia's equally strong personality is the perfect complement to that; together the two of them exchange some of the snappiest dialogue in the show. Ichigo's allies are just as interesting: pretty boy Ishida is cool in every way, from his attacks to his demeanor; girly-girl Orihime discovers her power through fashion accessories; strong and silent Chad proves that the only thing bigger than his frame is his compassion. Call them two-dimensional if you must, but these are some very unique dimensions. And that's not even bringing up all the entertaining side characters and opponents, like stuffed-toy sidekick K-ON!, eccentric shopkeeper Urahara, the thirteen battle squads of Soul Society (learning them all is easier than you think), and that shining example of modern-day parenting, Ichigo's father.

Studio Pierrot makes this show visually pleasing with a bold, mainstream style that most eyes will appreciate. Like the story itself, the animation doesn't pick up until the later episodes, where the budget increase becomes apparent: the second opening sequence is a flurry of high frame rate showboating, and the fight scenes become increasingly elaborate and dynamic. Through it all, the storytelling is always clear—if someone swings a sword, you know exactly who swung it and where it's headed. There are still plenty of shounen clichés like speedlines, special effects and time-dilated multi-episode fights, but the look of the show is one that isn't easily reproduced. Chalk that up to manga-ka Kubotite, whose artistic style still shines through despite being watered down for the sake of animation. Who can forget the funny logos on Ichigo's t-shirts, Rukia's single bang hanging over her face, Ishida's rectangular glasses, Orihime's hair clips, Chad's scraggly features, Urahara's green-and-white striped hat, Renji's visor that looks like a sleep mask... well, this could go on for a while. Although the staff does try to match some of the manga's style in the angularity of the artwork, their true strength is capturing the sheer energy of the series through animation technique.

The soundtrack also has its own distinctive style, employing electronic instruments and modern genres in a way that's easily as effective as a symphonic, full-orchestra track. Even if it's just waveforms out of a synthesizer, the music of Bleach is diverse enough to support the many moods of battle: tension to confrontation to all-out attack. The oft-changing theme songs also make for a fine primer on the world of J-pop; many fans can attest to discovering mellow-voiced singer/songwriter Rie Fu through the first ending theme.

So is it really just Naruto with dead people? Or is it an epic saga in its own right? The unique characters and look of Bleach guarantee that it will, at the very least, rise above the muddle of interchangeable shounen series and march on with its own unique vision of the afterlife. There are plenty of cool guys with swords out there, plenty of spirit worlds to explore, and plenty of Death Gods to vanquish, but there is only one Ichigo Kurosaki, one Soul Society, and one incredibly entertaining anime that will grab you and refuse to let go. For classic adventure with a slick, modern attitude, go no further than Bleach.

source: anime news network